I say it time and time again but I’ll reiterate once more - I LOVE THIS MAN! He is a true auteur, so talented in every way. His movies are purely magical!
Dan Harmon Poops: HEY, DID I MISS ANYTHING?
Kids:
A few hours ago, I landed in Los Angeles, turned on my phone, and confirmed what you already know. Sony Pictures Television is replacing me as showrunner on Community, with two seasoned fellows that I’m sure are quite nice - actually, I have it on good authority they’re quite nice, because…
Tony Curtis “Forty Pounds of Trouble” | Hollywood
© Leo Fuchs 1962
What a beautiful man.
(via hollywoodlady)
How do you find reactions from fans or kids to Loki’s character?
TOM HIDDLESTON: Mark Ruffalo’s son. I kind of dedicate my performance to his son, his ten-year old, because he was on set a lot. Joss Whedon and Kevin Feige, the producer, they were enormously supportive on set. They were very complimentary when they liked something that I was doing. I would do a take, and they would say, “Awesome. You got it. Let’s — “ And Kevin Feige would be like, “God, that was great. Let’s move on.” And you get on with the day. The days that Mark’s son was there, he was like, “Awesome job, Tom. We got it. Let’s move on.” Kevin would say the same thing, and then Mark’s son would say, “Oh, my God! Tom! That was incredible! That was the most awesome thing I have ever seen!” And I’m like, “I am doing this for you.” And, you know, there were days when Mark would come in with him just to watch, because he wanted to watch. He’d be like, “I’m sorry. We’re here again. He just loves you.” And then you realize that that’s the power that these films can have.
It’s such a beautiful thing. It’s a really amazing privilege.
Loki is a class act!
Interviewer: Give Me the argument, the best argument you know, for the power of cinema.
Quentin Tarantino: Oh gosh, you know one of the things about cinema that I just find very moving, it’s why it’s my favorite art form, is when you go to a movie and you see a certain sequence, and if there is real cinematic power and there’s cinematic flare. There are certain filmakers that you feel were touched by God to make movies and it would be a combination of editing and sound, usually it’s like visual images connected with music or something, but when those things work and they really connect..it’s just like you forget to breathe. You are really transported to a different place. Music doesn’t quite do that on it’s own, novels don’t quite do it, & a painting doesn’t quite do it. They do it there way but with cinama, especially if you’re in a theatre and you’re sharing the experience with a bunch of other people so it’s this mass thing going on..it’s just truly, truly thrilling.(x)
(Source: femburton)
(Source: allofthesethingsiholddear, via cinemastatic)
(via cinematicinsomniac)